Guttural Decay- Epoch of racial extermination (2010)

Cover art created by Mark Rawls (Guttural Engorgement, Drowning In Phemaldehyde) 1. Infected Collapse 03:35 2. Supreme Act of Torture 03:12 3. Lacerated Virgin 02:02 4. Epoch of Racial Extermination 02:40 5. Seraphic Excruciations 02:36 6. Mortal Defilement 02:14 7. Infesting of Incubation 02:54 8. Internal Laceration 03:10 9. Vaginal Necrosis 03:48 10. Babykiller (With Mark Rawls Gutturals) (Devourment Cover) 04:24 Total playing time 30:35 Rapidshare

Inferia- No Sperm Shall Be Spared (2010)

Finland
Grindcore

Released also on Severed Records and Coyote Records.

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Full-length, Rising Nemesis Records June 2010

1. Sexordium (Intro) 00:55 2. Dick(s) Crusifix 02:25 3. Felch 01:10 4. Begetter 02:25 5. Assfensive Narcotics 01:35 6. Erectile Dysfunction 01:43 7. Animal 01:14 8. Just One Kiss 00:33 9. Unsatisfied Customer 01:32 10. Semen On Your Hands 02:13 11. Sex Is A Process 01:50 12. Re-Masturbation 01:13 13. Maturetorium 02:21 14. Cunt Get No Satisfaction 02:27 15. 69 Position 00:43 16. Allmost An Angel'ass 01:56 17. Suckass 01:00 18. For Your Ass Only 02:53 19. 20 Seconds (To The Most Orgasmic Moment Of Your Life) 02:04 Total playing time 32:12

Severe Torture- Slaughtered (2010)

Brutal Death Metal
Netherlands
Full-length, Season of Mist
June 28th, 2010


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SOM 219

1.

Grave Condition

04:15

[view lyrics]

2.

Unholy Misconception

03:39

[view lyrics]

3.

Deride Jesus

03:43

[view lyrics]

4.

Defective Fornication

02:53

[view lyrics]

5.

Slaughtered

03:39

[view lyrics]

6.

Feeding on Cadavers

04:31

[view lyrics]

7.

Inferior Divinity

04:36

[view lyrics]

8.

Incarnation of Impurity

04:12

[view lyrics]

9.

To Relieve the Mortal Flesh of Pain

01:44

[view lyrics]

10.

Swallowing Decay

04:33

[view lyrics]

Total playing time

37:45

Defeated Sanity- Chapters of Repugnance (2010)

Germany
Brutal Death Metal

Full-length, Willowtip Records
May 4th, 2010
Line-up :
A.J. Magana - Vocals
Christian Kühn - Guitar
Jacob Schmidt - Bass
Lille Gruber - Drums

The CD was recorded at Soundforge Studios in Berlin.
Cover artwork by Toshihiro Egawa.

1.	Introitus	03:01
2.	Consumed by Repugnance	03:46	[view lyrics]
3.	Carnal Deliverance	03:08	[view lyrics]
4.	Salacious Affinity	03:55	[view lyrics]
5.	Engulfed in Excruciation	03:27	[view lyrics]
6.	Coerced into Idolatry	04:15	[view lyrics]
7.	Blissfully Exsanguinated	03:16	[view lyrics]
8.	Calculated Barbarity	02:42	[view lyrics]
9.	Lurid Assimilation	04:21	[view lyrics]
Total playing time		31:51

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"Elite Death Metal"

"With this, their latest album, Defeated Sanity have secured their place in the death metal Hall of Fame. I always said that I would never rate an album at 0 or 100, but anything other than full marks here will just not do. There are a few criticisms I have but they seem so insignificant when compared with the unrestrained genius clear from start to finish on this album. Since getting this a couple of weeks ago it's been played at least two or three times a day and I don't foresee stopping it anytime soon. So then, let me start from the beginning...

Defeated Sanity are a band I've known of and followed for years. I've seen them live many times and shared the stage with them on more than a couple of occasions. I always thought they were something of a cutting edge band that never seemed to quite meet their potential. Last summer though, the set they played at the Mountains of Death festival - the first time I'd seen them as a four-piece - was one of the most overwhelmingly impressive musical performances I've witnessed, of ANY genre, and I wasn't alone in thinking that. After witnessing such an onslaught, I just knew this would be the album that they'd finally get that potential onto disc.

The album begins with the track 'Introitus', with guitar, drums and dark atmospheric sounds gradually fading in over the first minute. This develops into a sequence of mid-paced chugging, thrashy technical riffs which in turn drop into the first 'slam' or breakdown of the album. Let me first dispel any ideas of this band playing anything remotely boring, predictable in their slam sections. This band just doesn't 'do' boring or predictable.

Most of the riffs involve the expected heavily palm muted chords, trem picking and pinch harmonics but riffs appear from nowhere, some slow, some fast, some where in between. Jazzy flourishes instantly set this band apart from the rest of the brutal crowd and tempo changes occur every few bars in some parts. The arrangements are so deliciously insane, but they craft it all so it still makes perfect sense. Once the album is underway there are only a handful of distinctive moments which I can describe and condense into a review worth reading. However, one I'll attempt to describe is found towards the end of the second track 'Consumed By Repugnance'. The guitars suddenly drop out with the bass and drums left to play a technical off-kilter jazz-like groove, unlike anything yet heard in death metal. The drums then play a suitably jazzy fill alone to round things off, before everything literally slams back in with a relatively simple, brutal palm-muted section. The track ends with further relentless technical barrage. I hope that suitably conveys some of the craziness and greatness of the album, but I am struggling to really describe how good this really is and why.

The instrumental performance on this album more or less flawless. The guitar work is very tight, and considering how technical this stuff is, that's no simple task. So far I've not mentioned much about the bass, and that's also just about flawless. Most of the time the bass follows the guitars, and that alone is impressive enough, occasionally playing 'lead' parts. The playing is impressive and well suited throughout. Lille Gruber's drumming on this album has reached new heights. It's still the usual mix of blasts, gravity rolls and odd fills but it's just tighter, faster and even more jazzy than before. There really is no one now who can touch him in terms of inventiveness and being able to add something extra to the riffs. The vocals are much better than on the previous albums, being performed by A.J Magana, previously of Disgorge. His vocals are powerful gutturals throughout the album. Still though, I think the vocals could be better. Sometimes they aren't perfectly tight, they're too high in the mix for me and they're recorded on different tracks which are all panned differently. This means certain words or lines come in from the left or right and when there are a few track of vocals on the go at once they dominate the mix further. It's just a minor criticism really, the vocal performance is largely excellent, but this is about all I can find to criticize.

The production on this album is the main reason why I think it is a vast improvement on the previous albums. It's very clear and allows all the instruments to be heard well, but it's very dark and doesn't sound at all overproduced. They really managed to capture their crushing live performance It's almost perfectly in between the rough and overproduced sounds that plague most current brutal death metal. The guitar tone is good but lacks a little clarity at times. I know this tone was intentional but I'd prefer something slightly crisper than this.

In relation to their other albums, this is if anything a bit simpler. The technicality is still there, it's just broken up more with more extended slam sections. If you're looking for a short review of the album all I can say is this is simply THE technical and brutal death metal album of the new millennium. It's dark, brutal, incredibly technical death metal. I look forward to theirs and other's attempts to do better."

Cenotaph - Putrescent Infectious Rabidity (2010)

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Turkey
Very Technical Brand of Slamming Brutal Death Metal
Full-length, Sevared Records/Coyote Records
June 3rd, 2010

Recording Line-up:

Batu Çetin - Vocals
Cihan Akün - Guitars & Bass
Lille Gruber - Drums

Artwork by Toshihiro Egawa

The album was recorded at Studio Deep in Ankara (Turkey), except the drums which
were recorded at Soundforge Studios in Berlin (Germany).

1.	Schizoid Acts of Mental Defloration	03:22
2.	Menstrual Dismemberment	02:54
3.	Consumed By Embryophagy	02:46
4.	Pustulation With Swarming Insectoids	03:22
5.	Embalming Maggotized Aborticide (Obscure Perspectives of Forensic Entomology)	03:12
6.	Gorenographic Pervert Victimology	04:15
7.	Putrescent Infectious Rabidity	02:59
8.	Paroxysmal Mutation	01:25
9.	Embryobscure Hypnosis / Womb of Decay	04:31
Total playing time		28:46

Aeon - Path of Fire (2010)

Sweden
Technical Death Metal
Full-length, Metal Blade
May 25th, 2010
 
Lineup:
Daniel Dlimi - Rhythm Guitar & Bass
Tommy Dahlström - Vocals
Zeb Nilsson - Lead, Acoustic, Rhythm Guitar & Bass
Nils Fjellström - Drums

recorded in September 2009 at Empire Studio in Östersund, Sweden
mixed in October 2009 at Mana Recording Studios in St, Petersburg, Florida by
Erik Rutan
Mastered by Alan Douches at West West Side Music in New Windsor, New York.

All artwork and layout made by Daniel Dlimi.

1.	Forgiveness Denied	04:07
2.	Kill Them All	03:13
3.	Inheritance	03:41
4.	Abomination To God	03:46
5.	Total Kristus Inversus	01:38
6.	Of Fire	04:06
7.	I Will Burn	03:15
8.	Suffer The Soul	03:36
9.	The Sacrament	04:23
10.	Liar In The Name Of God	04:17
11.	God Of War	05:56
Total playing time		41:48

Path Of Fire is probably the most intense AEON album to date. And with a production that is more organic and “classic death metal” sounding rather then the nowadays typical “super modern, compressed-right-the-fuck-

..out-of-dynamics, loudness war” production, you are all in for a real treat. Folks…this IS death metal!

Comments guitarist Zeb Nilsson: “We talked to Erik about this idea on the tour we did with HATE ETERNAL, and he really felt like doing it too, so here we are. Of course he did a great job, the guitars came out HUGE! And this production has more of a classical death metal feel to it, more organic and dynamic than most modern productions out there today. I couldn’t be happier with the way it all came out.”

Guitarist Daniel Dlimi on the front art of Path Of Fire: “I created this symbol/badge that for me reflects life, death and the path you have chosen to live your life by. It’s about whatever you want to chain yourself to 10 commandments or live free after your own conscience and will.”



Forgiveness Denied Music Video


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Soreption - Deterioration of Minds (2010)

Soreption is a technical death metal band from Sweden. On this, their debut record, they are following up their critically acclaimed EP, "Illuminate The Excessive." Taking their ques from the hyped tech bands of today, they are tech-death's newest heroes. As just mentioned, Soreption's sound is still being developed and influences are still heard throughout. Whether it's Meshuggah or Cryptopsy, the old one, they manage to meld them together into tight, intricate song structures that are also tightly executed. But influences of more brutal death manage to sneak in through some of the breakdowns in these songs as well, think Deeds of Flesh style. 
  This is one of the better Tech Death Albums Released this year.  With their unique style Soreption will be at the forefront of technical death metal for years to come if they can continue to play at such a high level!




















 Soreption - Deterioration of Minds (2010)
Sweden
Technical Death Metal
 Ninetone Records

1.	Suppressing the Mute	03:33
2.	The Hypocrite, Undying	03:02
3.	Breeding Exile	04:35
4.	...to Dim the Aching	03:10
5.	A Wolf Among Men	03:23
6.	Deterioration of Minds	03:20
7.	By Venom Entitled	03:36
8.	March of the Tyrants	05:36
Total playing time		30:15

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http://www.myspace.com/soreption