Cerebral Effusion-Impulsive Psychopathic Acts (2010)

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 Brutal Death Metal, Spain
 No Doubt 100% Perfect Fucking Brutal Masterpiece - 100%
 When this album was just released, I was really confused whether I should buy it, because in my memory, Cerebral Effusion's releases are always not that good and I regret my purchase so much everytime I buy their stuff. However, I decided to trust them once more, and I could't help feeling proud of my decision as soon as I received this album. It's so fantastic!

It's hard to believe that it's an album from Cerebral Effusion, as it has nothing in common with their former ones. Intense guitar riffs, heavy bass lines, insane drum blasts, and most impressive, the incredible sick guttural vocals. They are all not what Cerebral Effusion could have before. I even wondered if Comatose Music had put a wrong CD in the jewel case, it was just like an album from California or Texas. But after confirmation once again, I knew that Cerebral Effusion had released a superb masterpiece. Honestly, it has been ever the best as well as my favorite album then.

Let me say, Disgorge and Devourment have no doubt been the greatest bands since 1999 after their legendary releases Cranial Impalement and Molesting The Decapitated. Any band who produces a single song similar to these two will be regarded promising and wonderful. So can you imagine that if there is a band mixing them together? California way technical + Texas way slamming, wow, what can be more attractive than this? And here comes Cerebral Effusion with Impulsive Psychopathic Acts, which is such a flawless mergence. It's the one & only reason but persuasive enough that I recommend this to all brutal death metal fans, it's absolutely a must, and you're sure to be indulged in it immediately.

By the way, the cover of this album is so beautiful that I'm fully falling in love with Venus. All I want is to insert her and suck all her juice up in the name of Cerebral Effusion.

Enjoy it guys, and stay brutal and sick! m/

Full-length, Comatose Music March 6th, 2010

Cover artwork by Marco Hasmann.

1. Humiliation Through Methodical Submission 04:30 2. Homophobic Indiscriminate Violation 04:15 3. Into Morbid Obesity 04:15 4. Epidemic Of The Era 04:10 5. Psychotic Compositor 03:51 6. Last Torture Preferment 04:17 7. Absolute Excrement 06:48 Total playing time 32:06

Human Rejection - Decrepit To Insanity (2009)

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Brutal Death Metal
Greece
 Full-length, Pathologically Explicit
2009
The album was recorded between December 2008-Feburary 2009 in Run Devil Run
Studios in Thessalonki and also West West Side Studios USA.

All Lyrics by Alex
All songs performed by Human Rejection

Alex - Vocals
Dennis - Guitars
Stelios - Bass
Chris - Drums

The album was meant to be released by Pathologically Explicit Recordings and
Grotesque Productions. However, Grostesque had to pull out due to difficulities
at the last moment, thus the album was kept back from its initial release date
april 6th 09. It was not until May the album arrived at Pathologically
Explicit Recordings to package and send off to the pre-ordered customers/fans.

1.	Proceed to Terminal Isolate	04:41
2.	Demented by Self Declined	04:47
3.	Abandoned	04:46
4.	Infernal Hostility	03:53
5.	Suffocation Castration	04:10
6.	Decrepit to Insanity	05:26
7.	Desecration	03:58
8.	Zombified Society	04:26
Total playing time		36:00

Guttural Decay- Epoch of racial extermination (2010)

Cover art created by Mark Rawls (Guttural Engorgement, Drowning In Phemaldehyde) 1. Infected Collapse 03:35 2. Supreme Act of Torture 03:12 3. Lacerated Virgin 02:02 4. Epoch of Racial Extermination 02:40 5. Seraphic Excruciations 02:36 6. Mortal Defilement 02:14 7. Infesting of Incubation 02:54 8. Internal Laceration 03:10 9. Vaginal Necrosis 03:48 10. Babykiller (With Mark Rawls Gutturals) (Devourment Cover) 04:24 Total playing time 30:35 Rapidshare

Defeated Sanity- Chapters of Repugnance (2010)

Germany
Brutal Death Metal

Full-length, Willowtip Records
May 4th, 2010
Line-up :
A.J. Magana - Vocals
Christian Kühn - Guitar
Jacob Schmidt - Bass
Lille Gruber - Drums

The CD was recorded at Soundforge Studios in Berlin.
Cover artwork by Toshihiro Egawa.

1.	Introitus	03:01
2.	Consumed by Repugnance	03:46	[view lyrics]
3.	Carnal Deliverance	03:08	[view lyrics]
4.	Salacious Affinity	03:55	[view lyrics]
5.	Engulfed in Excruciation	03:27	[view lyrics]
6.	Coerced into Idolatry	04:15	[view lyrics]
7.	Blissfully Exsanguinated	03:16	[view lyrics]
8.	Calculated Barbarity	02:42	[view lyrics]
9.	Lurid Assimilation	04:21	[view lyrics]
Total playing time		31:51

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"Elite Death Metal"

"With this, their latest album, Defeated Sanity have secured their place in the death metal Hall of Fame. I always said that I would never rate an album at 0 or 100, but anything other than full marks here will just not do. There are a few criticisms I have but they seem so insignificant when compared with the unrestrained genius clear from start to finish on this album. Since getting this a couple of weeks ago it's been played at least two or three times a day and I don't foresee stopping it anytime soon. So then, let me start from the beginning...

Defeated Sanity are a band I've known of and followed for years. I've seen them live many times and shared the stage with them on more than a couple of occasions. I always thought they were something of a cutting edge band that never seemed to quite meet their potential. Last summer though, the set they played at the Mountains of Death festival - the first time I'd seen them as a four-piece - was one of the most overwhelmingly impressive musical performances I've witnessed, of ANY genre, and I wasn't alone in thinking that. After witnessing such an onslaught, I just knew this would be the album that they'd finally get that potential onto disc.

The album begins with the track 'Introitus', with guitar, drums and dark atmospheric sounds gradually fading in over the first minute. This develops into a sequence of mid-paced chugging, thrashy technical riffs which in turn drop into the first 'slam' or breakdown of the album. Let me first dispel any ideas of this band playing anything remotely boring, predictable in their slam sections. This band just doesn't 'do' boring or predictable.

Most of the riffs involve the expected heavily palm muted chords, trem picking and pinch harmonics but riffs appear from nowhere, some slow, some fast, some where in between. Jazzy flourishes instantly set this band apart from the rest of the brutal crowd and tempo changes occur every few bars in some parts. The arrangements are so deliciously insane, but they craft it all so it still makes perfect sense. Once the album is underway there are only a handful of distinctive moments which I can describe and condense into a review worth reading. However, one I'll attempt to describe is found towards the end of the second track 'Consumed By Repugnance'. The guitars suddenly drop out with the bass and drums left to play a technical off-kilter jazz-like groove, unlike anything yet heard in death metal. The drums then play a suitably jazzy fill alone to round things off, before everything literally slams back in with a relatively simple, brutal palm-muted section. The track ends with further relentless technical barrage. I hope that suitably conveys some of the craziness and greatness of the album, but I am struggling to really describe how good this really is and why.

The instrumental performance on this album more or less flawless. The guitar work is very tight, and considering how technical this stuff is, that's no simple task. So far I've not mentioned much about the bass, and that's also just about flawless. Most of the time the bass follows the guitars, and that alone is impressive enough, occasionally playing 'lead' parts. The playing is impressive and well suited throughout. Lille Gruber's drumming on this album has reached new heights. It's still the usual mix of blasts, gravity rolls and odd fills but it's just tighter, faster and even more jazzy than before. There really is no one now who can touch him in terms of inventiveness and being able to add something extra to the riffs. The vocals are much better than on the previous albums, being performed by A.J Magana, previously of Disgorge. His vocals are powerful gutturals throughout the album. Still though, I think the vocals could be better. Sometimes they aren't perfectly tight, they're too high in the mix for me and they're recorded on different tracks which are all panned differently. This means certain words or lines come in from the left or right and when there are a few track of vocals on the go at once they dominate the mix further. It's just a minor criticism really, the vocal performance is largely excellent, but this is about all I can find to criticize.

The production on this album is the main reason why I think it is a vast improvement on the previous albums. It's very clear and allows all the instruments to be heard well, but it's very dark and doesn't sound at all overproduced. They really managed to capture their crushing live performance It's almost perfectly in between the rough and overproduced sounds that plague most current brutal death metal. The guitar tone is good but lacks a little clarity at times. I know this tone was intentional but I'd prefer something slightly crisper than this.

In relation to their other albums, this is if anything a bit simpler. The technicality is still there, it's just broken up more with more extended slam sections. If you're looking for a short review of the album all I can say is this is simply THE technical and brutal death metal album of the new millennium. It's dark, brutal, incredibly technical death metal. I look forward to theirs and other's attempts to do better."

Cenotaph - Putrescent Infectious Rabidity (2010)

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Turkey
Very Technical Brand of Slamming Brutal Death Metal
Full-length, Sevared Records/Coyote Records
June 3rd, 2010

Recording Line-up:

Batu Çetin - Vocals
Cihan Akün - Guitars & Bass
Lille Gruber - Drums

Artwork by Toshihiro Egawa

The album was recorded at Studio Deep in Ankara (Turkey), except the drums which
were recorded at Soundforge Studios in Berlin (Germany).

1.	Schizoid Acts of Mental Defloration	03:22
2.	Menstrual Dismemberment	02:54
3.	Consumed By Embryophagy	02:46
4.	Pustulation With Swarming Insectoids	03:22
5.	Embalming Maggotized Aborticide (Obscure Perspectives of Forensic Entomology)	03:12
6.	Gorenographic Pervert Victimology	04:15
7.	Putrescent Infectious Rabidity	02:59
8.	Paroxysmal Mutation	01:25
9.	Embryobscure Hypnosis / Womb of Decay	04:31
Total playing time		28:46