Medecophobic - Pandemic of Existence

Brutal Death Metal
Germany
Full-length, Self-released
January 7th, 2011

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1. Torso Tetris 04:09 2. Arterial Spray 03:46 3. S.W.D. 03:14 4. Apex Predator 02:26 5. Mankind Laid to Waste 04:26 6. Inextinguishable Despise 03:38 7. In Chains Within 04:50 8. Eruption of Disgust 03:25 9. Pandemic of Existence 06:33 Total playing time 36:27

Amogh Symphony- Quantum Hack Code (2010)

Progressive Metal, Funk, Jazz, Amazing
Full-length, Self-Released
2010

1.	Intro : The Clairvoyance
2.	Rise of Osiris 1 : Malfunction detection
3.	The Mainframe Interpretation of Q-Web Hack Code
4.	The Polymorphic Infection : Prototype Worm “Proteus” Automation
5.	Infinity Chamber of Uncertainty : Search of “Karna”
6.	The release of X-Karna : Operation “Wave Duality”
7.	Outro : The Collapse of Osiris 1

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Cerebral Bore-Maniacal Miscreation (2010)

United Kindom

Death Metal

Full-length, Self-Released
August 2010

Guest Vocals:
Angel Ochoa (Condemned (USA), Cephalotripsy) - Maniacal Miscreation

1.	Epileptic Strobe Entrapment	04:49
2.	The Bald Cadaver	03:20	[view lyrics]
3.	Open Casket Priapism	05:29
4.	Entombed in Butchered Bodies	03:53
5.	Mangled Post Burial	02:54
6.	Flesh Reflects the Madness	03:56
7.	Maniacal Miscreation	03:47	[view lyrics]
8.	24 Year Party Dungeon	04:24	[view lyrics]
Total playing time		32:34

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Syphilic - Behind Bars (2010)

USA
Technical Brutal Death Metal
Full-length, Self-Released
March 2010

1.

Wombhead

04:35

[view lyrics]

2.

Robalni

05:24

[view lyrics]

3.

Rochester Dechester

06:56

[view lyrics]

4.

Miscarriage Mouthful

04:44

5.

Miss Congenitalia

03:42

[view lyrics]

6.

K9 Creampie

04:49

[view lyrics]

7.

Cannibalisdick

03:23

[view lyrics]

8.

Vegetable At Best

05:13

[view lyrics]

9.

Leper Messiah (Metallica Cover)

05:39

[view lyrics]

Total playing time

44:25

yet again, but better - 98%

Written by beatsfromhell on March 20th, 2010

While some bands sold out with there early 2010 releases (*ahem* Arsis) Syphilic keeps its core elements: relentless, complex, obscure brutality taken to disgusting measures with humorous samples taken from various media sources. Despite sticking to original roots, progression is also very present with this record. Including but not limited to: adapting new vocal styles, more electrifying guitars, and more complex song structures in general. The only other way to experience this album would be to sodomize yourself with an electrical wire. From the start the guitars sound better and more technical. But don’t worry, it’s not overly technical. There’s quite a few pinch harmonics at fast paces in the riffs that kind of give it that technical sound. There’s a much more defined sound that is far more chaotic sounding on this album. Still, the “take no prisoners” brutal death metal guitar playing style is still relevant on this album. The riffs in general are still recognizable as a prominent Syphilic release, just on the next level. The border-line signature vocal style of Brian Forgue is of course still here. However, he has seemed to have expanded his vocals a bit. There’s a vocal style that is used in various places throughout this album that almost sounds like a traditional death metal growl, or as close to it as Syphilic will probably ever get. Regardless, the obscure and brutal vocals are here in all there glory. But once again, on the next level. And what would a Syphilic release be without the samples? Possibly just another brick in the wall. This album starts off with a sample from Bad Santa, and the sample continues at the end of the album. A lot like the Lewis Black joke at the beginning and the end of Erotishock Therapy. Behind Bars uses numerous samples from It’s Always Sunny In Philadelphia. Yes, the FX original series is heard various times through out Behind Bars. These specific samples are lines from the T.V. show that discuss topics that are very relevant to this record, including: musical talent, unprotected sex, gutturals, and molestation. So in the end, it works out pretty well on this album. If you love death metal and Metallica, then (possibly) you’re dream has come true. Behind Bars ends with a cover of Metallica’s Leper Messiah. But this is a cover done right. It is immediately recognizable as Leper Messiah, but much heavier. It generally sounds almost the same but in a death metal style. If you like death metal and can handle sheer chaos, then buy Behind Bars. It doesn’t disappoint at all.

Cadaver Mutilator - Nechronicles (2009)

 

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Death Metal
Italy


Full-length, Self-released
2009

1.	Putrid Meat Walking	03:54
2.	Rotten Flesh Puppet	04:44
3.	Cannon Folder	03:59
4.	Proliferation Through Carnal Gorge	03:15
5.	End of the Days	03:46
Total playing time		19:38